Made in the USA of genuine leather and hand-assembled in the JUL studio in Maryland, this leather closure screws into knitted garments or felted bags making it a striking alternative to conventional closures.
The leather makes the closure relatively light considering the size of the Lock and its screw-in snap closures. The tongue on one side of the Lock comes up through the slot in the other side, doubles back on itself and 'locks' in place with a snap, making it extremely secure.
The Lock is equally stunning on the front of bags such as the Spectator Bag, on the flounces of an Ella coat, or adorning the folds the ruffles in the Rose Ornament Scarf in order to make either more cozy in bitter winter months. It's fabulous on cowls, conventional scarves, and most any other knitted accessory.
Dimensions: 2.25" (5.6cm) wide x 1.75" (4.5cm) tall
She loved the fashions from the 40s: pretty dresses that flared and swished when you walked but without the flouncy crinolines so popular in the 50s. Peep-toed sandals, spectator pumps. Men in 3 piece suits. A dirty martini at lunch.
When she saw the Spectator Bag it was just the bag: an updated, eminently now version of spectator pump styling. She could imagine carrying it. Its colors reminded her of a blue dress with terra cotta piping she had coveted at the vintage store and regretted not buying.
Read more...She loved the fashions from the 40s: pretty dresses that flared and swished when you walked but without the flouncy crinolines so popular in the 50s. Peep-toed sandals, spectator pumps. Men in 3 piece suits. A dirty martini at lunch.
When she saw the Spectator Bag it was just the bag: an updated, eminently now version of spectator pump styling. She could imagine carrying it. Its colors reminded her of a blue dress with terra cotta piping she had coveted at the vintage store and regretted not buying.
With the bag's ring of cabochon rivets around the bottom, its blue leather handles contrast with the chestnut-red leather closure, its long silhouette the sort she liked.
Picture yourself with this bag: It has a nautical or vintage aesthetic without overstating either. Beautifully casual, you can wear it across the body or over your shoulder. It is the perfect size for everything and yet not too deep to find your phone when it rings.
Check Additional Details below for information about dimensions, gauge, materials, and hardware kit.
16" (40cm) wide across top
13" (33cm) tall
27" (68cm) circumference around bag bottom
Intrepid Intermediate: Requires knowledge of knitting, purling, increasing, decreasing, knitting in the round on two circular needles, picking up stitches within fabric, and some hand-sewing during the finishing process.
Pre-felted Gauge: 12 stitches and 16 rounds = 4" (10cm) in St st with a double-strand of worsted weight yarn.
2 Noni Handle Brackets
4 Noni Big 24mm bag feet in nickel
11.25 x 13.5 in sheet of stiffener
JUL Lock closure in Chestnut
2 packages of Noni Cabochon rivets in nickel
Noni Train locket with key
1 Noni Design label
750 yds (670m) A
100 yds (90m) B (contrast piping)
1 Size 11 (8mm) 24" (60cm) circular needle
1 Size 11 (8mm) 32" (80cm) circular needle (- optional for working piping around bag opening)
Size 10 (6mm) needles (to work closure flap)
Stitch markers
Tapestry needle
Sewing needle
Nylon beading thread
Clear, quick-drying fabric glue (for cabochon rivet application)
The bag pictured was created using Stonehedge Fiber Mill Shepherd's Wool in Beaches with Berries piping. The JUL lock is Chestnut and the handle is Lake Blue.
This first of the Ella coats came into being after I made a felted coat for little girls. The striped pattern in the little girl's coat was inspired by the piled up mattresses in the Princess and the Pea story. I even sandwiched 3-dimensional green peas between the stripes. Because a felted garment must be made so much larger than the size it will become, I was able to wear the coat before it was felted. I was smitten with the fit of the unfelted coat and the first Ella Coat was born.
Read more...This first of the Ella coats came into being after I made a felted coat for little girls. The striped pattern in the little girl's coat was inspired by the piled up mattresses in the Princess and the Pea story. I even sandwiched 3-dimensional green peas between the stripes. Because a felted garment must be made so much larger than the size it will become, I was able to wear the coat before it was felted. I was smitten with the fit of the unfelted coat and the first Ella Coat was born.
Ella is a body-skimming sweater coat for women with an A-line silhouette that is created by making the bodice first from the high waist to the shoulder. The advantage of starting here is that you ensure your coat fits perfectly before you finish the entire coat. A perfectly fitted bodice will ensure a beautifully fitting coat. Then pick up at the high waist and work the skirt, stopping when the coat is the desired length.
For a detailed tutorial on choosing colors for your coat, fitting the coat to your own body, adding beautiful details, including alternate ruffle edgings, consult the Ella Coat Knit-a-Long that was conducted through the Noni Blog.
Intrepid Easy: Requires knowledge of knitting, purling, picking up stitches within the knitted fabric, increasing, decreasing, knitting in the round, and some hand-sewing during the finishing process.
18 sts and 24 rows over 4"/10cm in St st using worsted weight yarn on a size 9/5.5mm needle or size need to obtain gauge.
Solid Coat
6-8 skeins worsted weight wool
Solid Coat with Colored Ruffle
Coat: 4-6 skeins worsted weight wool
Ruffle: 2-3 skeins worsted weight wool
Striped coats
2-3 skeins of color (A), 1 skein or 100-250 yds (91 - 230m) of every other color
Size 9 (5.5mm) 32" (80cm) or longer circular needles
Size 10 (6mm) needles
Size 10 J crochet hook
Row Counter (optional)
Locking stitch markers
Sewing needle and sewing thread
Velvet ribbon to line the plackets (2" (5cm) wide and twice the length of one placket)
Cover samples were made in Shepherd's Wool by Stonehedge Fiber Mill: the coat on the front cover was made in Plum with Lime Ruffles. The striped coat on the back cover of the pattern was made using the Ocean Coat strip pattern (see chart on pattern).
When I was a little girl and still inclined to play dress up in my mother's cast off slips, I was particularly fond of a bright red crinoline that had once been stiff enough to make a full skirt swish and stand away from the body. The elastic waist had long ago lost its stretch, and the crinoline had lost its stiffness. It was soft and sheer and I loved the weight of it, its drape, the way it swirled and moved as I moved. When I wore that crinoline, I was a can can dancer, a flamenco dancer. The skirt transformed and transported me. Clothes can do this sometimes. I dreamed of covering that crinoline with a skirt dense with ruffles.
Read more...When I was a little girl and still inclined to play dress up in my mother's cast off slips, I was particularly fond of a bright red crinoline that had once been stiff enough to make a full skirt swish and stand away from the body. The elastic waist had long ago lost its stretch, and the crinoline had lost its stiffness. It was soft and sheer and I loved the weight of it, its drape, the way it swirled and moved as I moved. When I wore that crinoline, I was a can can dancer, a flamenco dancer. The skirt transformed and transported me. Clothes can do this sometimes. I dreamed of covering that crinoline with a skirt dense with ruffles.
Inspired both by that early feeling I had when wearing that red crinoline and by the ruffled skirts and sleeves of the traditional Flamenco dresses, the Ella Goes to Spain coat is decorated with lots of little ruffles on the lower portion of both sleeves and skirt as well as cabochon rivets for a little sparkle hither and thither.
The beautifully flattering A-line silhouette of the coat sets off most every woman's figure to best advantage, regardless of height, width, and luxuriousness or spareness of her curves.
Like the original Ella Coat that preceded it, Ella Goes to Spain is imminently customizable: the construction of the garment, more top-down than otherwise, allows you to try on and fit different aspects of the coat as you go, and then knit sleeves and skirt to the perfect length.
Look at Additional Materials for more information about sizing, yarn, and required materials. If you fancy the necklace on the mannequin, they can be found in related items below and purchased here in the Noni store.
Intrepid Easy: Requires knowledge of knitting, purling, picking up stitches within the knitted fabric, increasing, decreasing, knitting in the round, and some hand-sewing during the finishing process.
For the pictured look, we recommend Shepherd's Wool in Garnet (Stonehedge Fiber Mill Shepherd's Wool (worsted weight; 100% merino wool; 250 yds [229m] 4 oz [110g] skein).
Small | Medium | Large | 1x | 2x | 3x | |
Bust Size: | 32" | 36" | 40" | 44" | 48" | 52" |
Finished Bust: | 34" | 38" | 42" | 46" | 50" | 54" |
18 sts and 24 rows over 4" (10cm) in St st using worsted weight yarn on a size 9 (5.5mm) needle or needle size to obtain gauge. Check your gauge.
Small | Medium | Large | 1x | 2x | 3x | |
Solid Coat: | 2020 | 2335 | 2525 | 2880 | 3090 | 3275 |
Solid Color for Coat with Contrast BO: | 1770 | 2045 | 2215 | 2525 | 2705 | 2870 |
Contrast BO: | 250 | 290 | 320 | 360 | 385 | 410 |
NOTE: Yardage in the table above is given in yards. Please multiply by 0.9144 to get meters.
Size 9 (5.5mm) 32" (80cm) or longer circular needles
Locking stitch markers
Stitch holders or waste yarn
Sewing needle and sewing thread
40 Noni Cabochon Rivets to decorate ruffles (optional)
4 - 6 Noni Wee or Tiny Heart Locket closures (Misty Blue coat)
3 JUL Zebra Florentine Hinge closures (Fuchsia coat)
Pictured samples were made in Shepherd's Wool by Stonehedge Fiber Mill: worsted weight; 100% merino wool; 250 yds [229m] 4 oz [110g] skein.
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The Tango is a beautiful, sexy dance: its movements are sensuous, and small gestures and details are emphatic. While I have not yet learned to Tango myself, when I designed this coat, I imagined a coat for Ella to wear when she goes to take her dancing classes: the sleeves are wide bells that follow the movement of the arms in graceful arcs. The skirt swings with a lovely drape that looks like dancing itself.
Read more...The Tango is a beautiful, sexy dance: its movements are sensuous, and small gestures and details are emphatic. While I have not yet learned to Tango myself, when I designed this coat, I imagined a coat for Ella to wear when she goes to take her dancing classes: the sleeves are wide bells that follow the movement of the arms in graceful arcs. The skirt swings with a lovely drape that looks like dancing itself.
Ella Learns to Tango is, like the other Ella Coats, a body-skimming sweater coat for women with an A-line silhouette that is created by making the bodice first from the high waist to the shoulder. The advantage of starting here is that you ensure your coat fits perfectly before you finish the entire coat. A perfectly fitted bodice will ensure a beautifully fitting coat. Then pick up at the high waist and work the skirt down, stopping when the coat is the desired length.
Because there is not a lot of positive ease in the finished coat: I envisioned that this coat would be worn in place of a sweater, over a t-shirt or sleeveless camisole. If you want to wear this coat as an outer garment, you may need to make a larger size. When I wear my Ella Coats as outer garments, I wear two same-sized Ellas layered. I even have two Tango Ellas in the same color and I wear them layered. One is slightly shorter so there is a double ruffle at hem and cuffs - very pretty!
For a detailed tutorial on the original Ella Coat, including information on choosing colors for your coat, fitting the coat to your own body, adding beautiful details, including alternate ruffle edgings, consult the Ella Coat Knit-a-Long that was conducted through the Noni Blog.
Look at Additional Materials for more information about sizing as well as required materials. If you fancy the necklaces on the mannequin, they can be found in related items below and purchased here in the Noni store.
Intrepid Easy: Requires knowledge of knitting, purling, picking up stitches within the knitted fabric, decreasing, knitting in the round; hand-sewing and riveting are required for the finishing process
For the pictured look, we recommend Shepherd's Wool in Garnet (Stonehedge Fiber Mill Shepherd's Wool (worsted weight; 100% merino wool; 250 yds [229m] 4 oz [110g] skein).
Small | Medium | Large | 1x | 2x | 3x | |
Bust Size: | 32" | 36" | 40" | 44" | 48" | 52" |
Finished Bust: | 34" | 38" | 42" | 46" | 50" | 54" |
18 sts and 24 rows over 4" (10cm) in St st using worsted weight yarn on a size 9 (5.5mm) needle or needle size to obtain gauge. Check your gauge.
Small | Medium | Large | 1x | 2x | 3x | |
Coat with Solid Sleeve: | 1660 | 1920 | 2075 | 2365 | 2540 | 2690 |
Coat with French Cuffs: | 1730 | 1970 | 2165 | 2465 | 2645 | 2805 |
NOTE: Yardage in the table above is given in yards. Please multiply by 0.9144 to get meters.
Size 9 (5.5mm) 32" (80cm) or longer circular needle
Size J/10 (6mm) crochet hook
Row counter (optional)
Locking stitch markers, 1 of a different color or size
Stitch holders or waste yarn
Sewing needle and sewing thread
1 - 2 JUL Venetian Hinges (pictured) or 3 JUL Locks for front of coat
4 JUL Latches for French cuffs (pictured: 2 for each cuff)
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